CONTENTS
Introduction
Unpacking the
MICRO B II
Quick Start
Front Panel Layout
Diagram
Rear Panel Layout
Diagram
Set-Up
Using The MICRO
B II
MIDI OMNI ON Mode
Multi-timbral Mode
Using More Than
On Keyboard Simultaneously
MIDI Controlled
Effects
Specifications
Warranty
The MICRO B II lets you select three levels of chorus or vibrato which can be used in conjunction with the rotating speaker effect and comes with 36 of the most popular drawbar settings. The first 22 presets are selectable via the front panel: all 36 can be selected through MIDI. In addition, the MICRO B II can operate in three part multi-timbral mode for any three adjacent channels as well as MIDI OMNI ON mode. There are high level stereo audio outputs, CH2 output may be used to drive stereo headphones. All this makes the MICRO B II very easy and intuitive to use.
Below is a list of some of
the most important features of the MICRO B II including an HTML link for
more information on the particular item.
| You want to know how to... | Where to find the information |
| Add the MICRO B II to your MIDI system | See Rear Panel, items 4,6, and 7; Set-Up, items 1,3, and 6; MIDI OMNI Mode |
| Access the additional presets not accessible through the front panel control | See Presets |
| Adjust the amount of key click on both the attack and release of a note | See Key Click and Click Soft/Hard; Key Click |
| Use Chorus or Vibrato with the Rotary Speaker Effect Simultaneously | See Rotor and Effects |
| Control the rotor speed through MIDI | See MIDI Controlled effects, Example 3 |
| "Tweak" the Rotor Fast speed and acceleration using a Continuous MIDI Controller | See MIDI Controlled Effects, Example 3 |
| Use MIDI volume control | See Volume |
| Use the MICRO B II in Multi-timbral Mode | See Multi-timbral Mode |
| Use more than one keyboard or other MIDI Controller with the MICRO B II | See Using More Than One Keyboard Simultaneously |
| Set different volume levels on separate multi-timbral channels | See Multi-timbral Mode, and Using More Than One Keyboard Simultaneously |
| Get the most out of your sound system using the MICRO B II | See Using the MICRO B II, Playing |
The MICRO B II rear panel diagram is shown below. A description of each component follows:
Refer to the diagram above for setting up the MICRO B II.
To use your MICRO B II, please follow these easy steps:
A set of stereo headphones may be connected to the CH2 output. Depending on the type of headphones used, it may be necessary to raise the level of the front panel volume control.
A built-in demonstration sequencer will demonstrate some of the various sounds and effects the MICRO B II is capable of performing. It may be activated by holding in the fast button and simultaneously turning the preset selector to the M position. Here is a summary of the demonstration performed by John Gatti *:
* Our thanks to John Gatti for all the time and effort he put into creating this demo. If only we had one hour playing time instead of just two minutes.
After hooking up the MICRO B II as explained in the Set-Up section, you will be ready to begin playing. The MICRO B II was designed to be very easy and intuitive to use. The following is a brief description of the MICRO B II's controls together with an explanation of their usage.
Volume - Before powering up the MICRO B II, make sure that the volume level is turned all the way down (volume control turned full counter clock-wise). Power up the MICRO B II, the MIDI LED should light up, then play some notes on your keyboard and gradually turn up the volume to a comfortable listening level.
Key Click - Some of the controls which are provided on the MICRO B II set the level of "defects" present in the sound of the original organs the MICRO B II simulates. Key Click is the best example of this type of control. Originally Key Click was thought to be a defect in tone-wheel organs. Gradually people became accustomed to the sound as new musical styles developed around the playing of the electric organ. Many styles of jazz organ depend on some level of Key Click being used in the sound.
The Key Click effect is normally heard on both the attack and on the release of a note being played. However, depending on the type of sound system being used, it is usually most noticeable on the attack. To adjust the amount of Key Click heard on the attack, repeatedly strike some notes and gradually turn the key click knob clockwise. Notice the key-click effect increases as you turn the knob. Adjust to taste. See Click in the following section for more information on controlling the Key Click on the release of the note.
Overdrive - Overdrive may be used to simulate the sound of an amplifier driven into clipping. It realistically simulates the organ sound used by many "R & B" and rock bands.
To adjust the amount of overdrive, simply play some notes and gradually turn the overdrive knob clock wise. Notice how the amount of overdrive increases as you turn the knob. Adjust to taste.
Percussion - The percussion effect is enabled by turning up the percussion volume (PERC VOLUME). You can select between SLOW or FAST percussion decay and between the 2nd and 3rd percussion harmonic by pressing the PERCUSSION DECAY and PERCUSSION HARMONIC (HARM) push buttons.
The percussion effect is very useful for jazz style settings. A standard one would be preset 1 with percussion on 3rd harmonic, PERCUSSION DECAY set to FAST, and the PERCUSSION VOLUME adjusted to taste.
Click - As discussed in the Key Click section above, the type of note release and attack can be controlled. Set the Key Click to HARD by pressing the CLICK push button so that the LED indicator is lit up. Play a few notes in the low range of the keyboard using preset number 1 and notice that attack and release transients can be heard even with the KEY CLICK volume control turned all the way down. This is due the rectangular keying envelope. Set the Key Click to SOFT by pressing the CLICK push button again so that the LED indicator is off. Play a few notes, notice that the release transient click is eliminated by virtue of a quick decay. A difference can also be heard in the note attack as the waveform will always start from zero in the SOFT mode.
Rotor - The rotating speaker effect is simulated by having a horn rotor and drum rotor speed-up or slow-down at different rates. Rotor speed can be set to either SLOW or FAST by pressing the front panel button, using a foot switch, or by MIDI control number 68. Note that the rotating speaker effect is only heard when the EFFECT selector is set to one of the ROTOR settings. Refer to the EFFECTS SELECTION TABLE for more information.
The rotating speaker's rotors' speeds are indicated by the state of the ROTOR LED. When the LED is lit, the rotors speed-up with independent accelerations to the fast rate, when the LED is turned off the rotors slow-down with independent decelerations to the slow rate. Select between the two rotor velocities by pressing the ROTOR push button.
Effects - The MICRO B II comes with built-in chorus and vibrato effects as well as a rotating speaker effect. You can select various combinations of chorus, vibrato, and the rotating speaker effects.
Refer to the EFFECTS SELECTION TABLE for a description of all the effects settings.
| POSITION | DESCRIPTION |
| OFF | NO EFFECTS ENABLED |
| R1 | Rotating speaker effect model 122 * |
| R2 | Rotating speaker effect model 22 * |
| C3R2 | Chorus depth 3 and RS model 22 * |
| C1R | Chorus depth 1 and RS model 122 * |
| C2R | Chorus depth 2 and RS model 122 * |
| C3R | Chorus depth 3 and RS model 122 * |
| V1R | Vibrato depth 1 and RS model 122 * |
| V2R | Vibrato depth 2 and RS model 122 * |
| V3R | Vibrato depth 3 and RS model 122 * |
| V1 | Vibrato depth 1 |
| V2 | Vibrato depth 2 |
| V3 | Vibrato depth 3 |
| C1 | Chorus depth 1 |
| C2 | Chorus depth 2 |
| C3 | Chorus depth 3 |
decelerate to a complete stop while for the model 122 simulation the rotors decelerate to a slow rotation rather than stopping entirely.
Both rotating speaker effects employ "cabinet simulation" which simulates the sound which would be picked up from microphones placed in front of a speaker cabinet. You'll notice a change in timbre and distortion characteristics when the rotating speaker effect is enabled.
Presets - The MICRO B II comes with 36 drawbar presets. The first 22 presets can be accessed through the preset selector on the front panel; to access all 36 presets you must use a MIDI controller capable of sending least program changes 0 to 35. Set the preset selector to P or M when using your MIDI controller to send program changes. This tells the MICRO B II that all program changes will now be set by your MIDI controller. See the chart on the next page for a list of preset drawbar settings.
Here is a list of all 36
MICRO B II presets and their tone-wheel organ equivalents.
| Preset # | Drawbar equivalent | Preset # | Drawbar equivalent |
| 1 | 888000000 | 19 | 888220000 |
| 2 | 808808008 | 20 | 888000000
split / (505000000 +2 oct.) below middle C |
| 3 | 888888888 | 21 | 888000000
split / 848000000 below middle C |
| 4 | 888473256 | 22 | 888000008
split / 848000000 below middle C |
| 5 | 832000003 | 23 | 848000000 |
| 6 | 800800008 | 24 | 878420000 |
| 7 | 888000008 | 25 | 888070340 |
| 8 | 888800000 | 26 | 808104000 |
| 9 | 800800000 | 27 | 887340060 |
| 10 | 800000005 | 28 | 864321110 |
| 11 | 880070080 | 29 | 800370000 |
| 12 | 800000544 | 30 | 880000000 |
| 13 | 088800002 | 31 | 888800008 |
| 14 | 888800003 | 32 | 800008678 |
| 15 | 008703004 | 33 | 505000000 |
| 16 | 888000030 | 34 | 888000000
split / 848000000 +3 oct.) below middle C |
| 17 | 828030001 | 35 | Farfisa Compact |
| 18 | 831000025 | 36 | Vox Continental |
Two "combo" organ settings (35, 36) are provided: their sound is very different than the tone-wheel organ settings.
When the MICRO B II is in MIDI OMNI ON mode, it will respond to all MIDI channels. Any NOTE ON/NOTE OFF information (within the note range utilized by the MICRO B II) and program changes (if the PRESET selector is set to P or M) will be recognized by the MICRO B II.
To enable MIDI OMNI ON mode set the MIDI Channel (MIDI CHN) selector on the rear panel to the 0 position.
To use Multi-timbral mode do the following:
1. Select the three adjacent channels to be enabled by first setting the MIDI channel selector to the basic MIDI channel. The basic MIDI channel and the next two higher channels will be enabled. If channel 15 is selected, channels 16 and 1 will also be enabled. See the chart on the next page.
2. Set the preset selector on the front panel to M . By doing this you are now telling the MICRO B II to accept MIDI data on the three channels selected in step 1 above.
OMNI ON mode and Multi-timbral mode are mutually exclusive. OMNI ON mode takes precedence over Multi-timbral mode.
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| EFFECT | MIDI CONTROL # | VALUE |
| Volume |
|
0 = softest,
127 = loudest |
| Rotating Speaker Fast/Slow |
|
0 - 63 = Slow,
64+ = Fast |
| Rotating Speaker On/Off |
|
0 - 63 = Off,
64+ = On |
| Percussion On/Off |
|
0 - 63 = Off,
64+ = On |
| Percussion Harmonic |
|
0 - 63 = 2nd,
64+ = 3rd |
| Percussion Decay |
|
0 - 63 = slow,
64+ = fast |
| Percussion Volume |
|
0 = softest
127 = loudest |
| Key Click Volume |
|
0 = softest
127 = loudest |
| Vibrato/Chorus On/Off |
|
0 - 63 = Off,
64+ = On |
| Vibrato/Chorus Depth |
|
0 - 18 = V1,
19 - 36 = V2, 37 - 58 = V3, 59 - 79 = C1, 80 - 100 = C2, 101 - 127 = C3, |
| Rotating Speaker Fast Speed |
|
0 = slowest,
127 = fastest |
| Rotating Speaker Acceleration Time |
|
0 = longest,
127 = shortest |
Note the MIDI control numbers are fixed, therefore to control the effects mentioned in the table you will need a programmable MIDI controller. The various buttons, wheels, sliders, or pedals of your MIDI controller must be assigned to the control number corresponding to the effect you wish to control.
Because of the wide variety of MIDI controllers (keyboards, computers, or sequencers) available on the market today, you will have to determine which MIDI controller is appropriate for this particular application. For example, you may elect to use the MOD wheel on your MIDI keyboard to control the rotating speaker FAST/SLOW rate or you may decide to use one of the push button controls on your MIDI controller to select the PERC 2nd or 3rd harmonic.
Examples:
1. Controlling the rotating speaker fast/slow speed via a MOD wheel:
Program the MIDI keyboard's MOD wheel to send data on MIDI control number 68 instead of control number 1. Since the MOD wheel is a continuous controller, it will output a control value of 0 through 127 depending on what position it is set to. To select the rotating speaker FAST rate simply flip the MOD wheel all the way up (on most keyboards up means away from you) or all the way down (towards you) for the SLOW rate. The rotating speaker will begin changing speed after the MOD wheel crosses the midway point (when the control value switches between 63 and 64).
2. Using a push button to select the Percussion 2nd or 3rd harmonic:
Let's say your MIDI controller has a push button control that can be assigned any MIDI control number. Set the MIDI control number of the push button control to 72. The MICRO B II will interpret MIDI control number 72 as the Percussion 2nd/3rd control. Most push button MIDI controllers will output a value of 127 when in the "on" position and a value of 0 when in the "off" position. If your MIDI controller allows you to program the control value, then make sure you set it to a value between 0 through 63 for "off" and 64 through 127 for "on". Now you should be able to select the PERC 2nd or 3rd harmonic by pressing the push button.
3. Using a continuos controller to adjust the ROTOR FAST speed:
Determine which controller you'd like to use to set the rotating speaker effects fast speed. Let's use the MOD wheel for this example. Program the MIDI keyboard's MOD wheel to send data on MIDI control number 90 instead of control number 1. Since the MOD wheel is a continuous
controller, it will output a control value of 0 through 127 depending on what position it is set to. Set the MICRO B II to one of the Rotating Speaker effects. Set the MICRO B II's ROTOR speed button to fast (LED on). You'll notice now that the rotor speed will track the position of the MOD wheel. Rotating the MOD wheel away from you will set the rotor speed quite high, moving it closer to you will set the speed to a slow rate. This function is handy for customizing the rotating speaker effect to suit your taste. It also allows for real-time control of the rotor speeds which can be used in place of the built-in acceleration / deceleration function.
HOW LONG IS THE WARRANTY AND WHO
IS PROTECTED
Labor (except removal and installation
charges) and parts are warranted for one year. This
warranty may be enforced only by the first consumer purchaser.
WHAT IS COVERED AND WHAT IS NOT
COVERED
Except as specified below, this warranty
covers all defects in material or workmanship in
this product. The following are not covered by the warranty:
EXCLUSION OF DAMAGES
VOCE'S LIABILITY FOR ANY DEFECTIVE
PRODUCT IS LIMITED TO THE REPAIR OR REPLACEMENT OF THE PRODUCT AT OUR OPTION.
VOCE SHALL NOT BE LIABLE FOR:
HOW YOU CAN GET WARRANTY SERVICE
To obtain warranty service on this
product: